Transcript is an experimental Austrian writer’s literary confrontation with the Holocaust.
A book about love and life, narrated at an extraordinary location.
»A rather slim but nonetheless brilliant book … Helwig Brunner’s highly polished language is pure bliss. His little stories, always dedicated to a name, a protagonist or a hero are pearls that even after repeated reading won’t lose any of their irresistible charm.« (Franz Becker, Musenblätter)
Christoph Dolgan sketches a fantasy of auto-extinction and doom with deeply unsettling words.
At a time when casual violence against women and minorities is very much in the news, Losing Ground is a necessary contribution to a timely debate.
More than 60 fantastic short stories, suitable as bedtime reading.
No other writer, with the possible exception of Helmut Qualtinger, has captured Austrian mentality – whether of intellectuals or the general populace – more accurately than the Carinthian-born Viennese resident Antonio Fian.
»It is widely known that fun and crudeness go together well in Austria, but Fian has found a particularly modern and contemporary way to couple the two.« (Klaus Kastberger, ex libris Ö1)
In the over 80 dramolettes of You cannot know everything, we once again encounter the multiple facets of Austrian nature, be it good or evil, as well as political and cultural opinion leaders.
What if a void suddenly opened up in your life? This is the question Laura Freudenthaler pursues in her second novel Ghost Story.
A narration about an emigration with retrospection into the past.
A gentle and cheerful book that will open your eye to the world with literary finesse.
Eleonore Frey conjures up the world of a seventeen-year-old girl. It is an insecure, perilous, small yet complete world portrayed with sympathy from a distant, slightly ironic angle.
Essays and speeches on the image of the Orient.
In And Nothing Ever Ends, two artists from two different centuries travel through linguistic and cultural spaces.
»You can call the real word ›Absurdistan‹ – Tomer Gardi shows this in a wonderful way. He plays as well with language as with the life, meanders between narratological levels, goes on a journey of exploration in a fantastic world which is located right in front of our door.« (Johannes Schröer, Domradio)