Literaturverlag Droschl
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Literaturverlag Droschl

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Droschl is based in Graz, Austria's »secret capital of literature« and has devoted itself exclusively and with amazing consistency to promoting contemporary authors. The first book was produced in 1980, when the decision was taken to convert Droschl, the gallery-cum-bookshop into a publishing house, primarily for literature. From the start it was clear that Droschl would support above all the rebellious writers, the formal innovators and breakers of tradition. We want to address the reader's curiosity, those who want to discover something, who focus on words, whose one great love is language, many languages, the innumerable manners of speech.
 
Bettina Balàka
One of the most notable Austrian writers.
   
Heimrad Bäcker
»I consider transcript to be a major work of concrete poetry and, beyond that, proof that its methods can convey reality much more intensively than the methods of description.« (Friedrich Achleitner)
   
Antonio Fian
No other writer, with the possible exception of Helmut Qualtinger, has captured Austrian mentality – whether of intellectuals or the general populace – more accurately than the Carinthian-born Viennese resident Antonio Fian.
   
Eleonore Frey
Eleonore Frey’s prose counters the world of established identities, of facts and figures and stone-cast certainties with gentle skepticism and unwavering commitment to all those who have lost their footing or never gained a foothold in reality in the first place.
   
Barbara Frischmuth
Hardly an author of ours is as competent as Barbara Frischmuth when it comes to investigating the complex relations between Orient and Occident, between Middle East and West.
   
Elfriede Gerstl
»Gerstl is a virtuoso of modesty.« (profil, Austrian weekly magazine)
   
Iris Hanika
»An author who writes wittily, sincerely and without the slightest sensationalism.« (Spiegel)
   
Mela Hartwig
Mela Hartwig is one of the great unknown authors, a modernist and feminist, whose career was destroyed by the nazis.
   
Ilse Helbich
Ilse Helbich »finds words for the unspeakable«. (Der Standard)
   
Klaus Hoffer
Hoffer, one of the first recipients of the Döblin award in 1980, creates, in his narratives, labyrinthine worlds in which stifling claustrophobia and cold realism counterbalance each other.
   
Anna Kim
Anna Kim explores the concepts of »foreign, she searches for the right words and sentences to describe the »different«.
   
Yorck Kronenberg
Kronenberg skilfully evokes the secrets, menaces, but also the magic of a foreign and lonely world.
   
Olga Martynova
In her first novel, Olga Martynova, lyric poet and essayist, presents difficult situations with enchanting ease.
   
Ilma Rakusa
»Ilma Rakusa is a solitaire.« (Thomas Rothschild, Freitag)
   
Stefan Schmitzer
In his first novel, Stefan Schmitzer takes the reader to troublesome spots in our cities, our social lives.
   
Werner Schwab
»Schwab – the genius, monster, creep« (German weekly Die Zeit) was among the common reactions Schwab’s provocations were met with.
   
Monique Schwitter
You might well become dizzy when you read these unusual short stories...
   
Thomas Stangl
If you can, read a book by Stangl. Or translate him. You won’t be sorry. If Stangl continues at this rate, he will become one of the language’s most important writers. Already he’s one of its best.
   
Bernhard Strobel
Bernhard Strobel’s narratives depict people in crises, tense atmospheres in the family, among friends or neighbours. We read dialogues on the verge of conflict, oscillating between belligerence and tight-lippedness.
   
Andreas Unterweger
A new literary discovery - Unterwegers novels are kaleidoscopes of living and loving.
   
David Wagner
»The Proust-inspired West German stylist« (New York Times)